LET’S GO TO THAT LAND

MAKING A PATH TO THE BELOVED

Acrylic, paper, linen, oil pastel, charcoal, soluble graphite on two canvases, diptych. 2022. 80 x 120 cm.

“I’ve torn my scarf into shreds; I’m all wrapped up in a blanket.
I took off my finery of pearls and coral, and strung a garland of wildwood flowers.
With my tears, I watered the creeper of love that I planted;
Now the creeper has grown spread all over, and borne the fruit of bliss.” (Meera Bai)

This is a painting that was a puzzle for months, until I stuck the large pieces of linen onto it, which freed me up to fit it into this series, give it a subject and a reason to be finished.

IN THE HILLS

Acrylic, paper, charcoal on linen, 2022, 61 x 61 cm.

This painting came after a birthday walk in the Trossachs, amongst birch woods and hilly sitka plantations, above the river Garbh Uisge, meaning Rough Water. Walking through the birches I got my pocket sketch book out and drew madly which made me feel a bit dizzy. Here there is a feeling of looming hills and promontories, and birch trunks and the river full of rocks.

In the Hills refers to the wish of the painter to be up in the wild places, in the heather and the trees, walking and finding themselves.

WHERE MY BELOVED SHALL BE FOUND

Acrylic, gouache, water soluble crayon and paper on canvas, 2022, 61 x 61 x 4 cm

Junun is music that is basically Sufi Qawwali from India, with a little help from an Israeli Sufi singer and poet, Shye Ben Tzur, and Jonny Greenwood.  On the album is a poem by Meera Bai, a 16th century Hindu mystic poet, a Bhakti saint, and the line “Let’s go to that land, where my beloved shall be found” inspired this painting. The idea is that the beloved is the god Krishna, and the saint wishes to immerse herself as his devotee.